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Saturday, 7 March 2015

Hardy Neroda Boxes

[a 2010 article - re-produced here purely for information]



Hardy Neroda Article, February 2010,  

(copyright Brian Taylor 2010)


Angling Collectables

Looking for something to collect? The sport of angling has long offered collectable accessories - vintage reels, fine split cane rods and beautifully tied flies immediately spring to mind. From Elfric the Abbot writing in his “Collequy” in the tenth century, via Dame Juliana’s “Treatyse of ffyshynge with an Angle” in 1496, to contemporary magazines, blogs and forums, anglers have long been fascinated by their equipment. Many of these ‘tools’ are useable assets and often prove to be good investments. Quality goods appreciate, remain collectable, and your grandchildren may one day be pleasantly surprised. The subject of this article is an object where there is a distinct possibility of getting that rare thing, a “full set”.

Most people, and all anglers, know the company - “Hardy Brothers of Alnwick”. A business established in the 19th century which has supplied Kings and scholars, Maharajas and dilettantes, Presidents and trout bums with some of the worlds finest fishing kit. First appearing in their 1934 Hardy’s Anglers’ Guide is the Hardy Neroda Fly Box. This Bakelite box was an improvement on their previous Japanned Tin fly boxes, which were prone to rusting and the japanning flaked off. The Neroda Fly Box continued to grace Hardy’s catalogues until at least 1963 and was gone by 1967.

Bakelite was the world's first synthetic plastic. Its electrical non-conductivity and heat-resistance made it suitable for many applications. Created by the Belgian inventor, Dr Leo Baekeland in 1907 it has been used for many things including electrical insulators, old radios and telephones, jewellery boxes, pipe stems, eggcups and salt and pepper pots. Polyoxybenzylmethylenglycolanhydrideit or phenol formaldehyde (PF) as it is commonly called, with the application of heat and pressure becomes what we now call Bakelite.

After a lot of help from the British Plastics Historical Society, the conclusion is that Bakelite Ltd made these boxes. To quote Ian Holdsworth of the Plastics Historical Society: “The history of the Bakelite company is a little complicated and at this time (late 1920’s/early 30’s) you have to think of Bakelite Ltd. as a group or amalgamation of a number of different companies, including two moulding companies called Mouldensite Ltd and Redmanol Ltd. Both of these companies were absorbed under the Bakelite umbrella and produced quality moulded goods from Bakelite phenolic moulding powders. Either could have made your boxes although I favour Redmanol Ltd. in particular as it was famous for producing high quality mouldings - albeit now under the generic Bakelite Ltd. company name.”

We believe that the bare Bakelite boxes then went to Messrs Richard Wheatley at their Constitution Hill Works in Birmingham where they were fitted out. Wheatley were long established manufacturers of Fly clips and Leather Goods. During discussions with Clive Edwards, owner and curator of the Richard Wheatley Museum, he confirmed that they produced a number of items for Hardy Bros including block leather reel cases, fly and cast wallets and black japanned clip boxes. He also pointed out that Hardy’s Holdtite clips, as seen in the Neroda Fly boxes, could be found in some examples of Wheatleys own brand boxes.


Enough of the science, Hardy’s 1934 catalogue introduced the new product and showed 8 different boxes:

The boxes were available in two separate nominal sizes, 6 ¼” x 3 ¾” and 3 ⅞” x 2 ½”.

The ‘clip’ boxes varied in the number of clips, 40 & 119 in the larger boxes, and 51 in the smaller; note that these boxes also varied in thickness. The ‘dry fly’ details are self-explanatory and the boxes numbers 6, 7 & 8 are the ‘pipe cleaner’ boxes, as many refer to them.

"Pipe cleaner" box


In their 1937 catalogue Hardy introduced 5 new variants of the Neroda.

This included two additional clip boxes, 1A and 1B, both of the thinnest size. The 1A was for smaller salmon flies (singles rather than doubles), still with 40 clips, and the 1B with 70 clips.

Also added was box number 9, an asymmetrical ‘pipe cleaner’ box with one side deeper than the other, the idea being that larger winged flies didn’t get squashed.

The other two boxes were what Hardys called their ‘Kenya’ Neroda box, lined with soft rubber – a quite rare box to find in original condition.



Another variant is the relatively rare ‘Tube Fly Box’. (below)

These boxes continued to appear in Hardy’s Anglers’ Guides until 1963.

     Below, a rare “Neroda Tube Fly Box”
     (with thanks to John @ Mullocks Auctions)
 

 The Hardy Logo as it normally appears on the boxes (very rarely these can be found blank – see below)


Clip boxes in both sizes



a larger size “Dry Fly” box – the ‘lids’ are usually a slightly yellowish/clear Perspex type material with upturned lips to open them with, or occasionally, with nickel silver studs.


Neroda boxes were produced in two different colours, which most collectors refer to as ‘Oxblood’ and Tortoiseshell’; the ‘Oxblood’ boxes have always been slightly more collectable.
The two different colours - tortoiseshell and oxblood
                           below: a pair in ‘Tortoiseshell’ – note that the small box has an imprint but no ‘Hardy’ logo


            below: a pair of ‘Oxblood’ boxes
 
As well as these variations there are two types of hinge - brass and nickel silver, some with three screws per side and others with two.



Below,, a fine example of the “Kenya” Neroda box

 Below, 2 excellent examples of the “Tube Fly Box”
(courtesy of a Danish collector)


A pair of rare Salmon Fly, 40 clip, boxes with "gold plated" clip plates.
(courtesy of Mr D Deacon of Angling Antiques)


There are a number of other small variations, but I don’t want to completely ruin another fun part of collecting which is the research.
As anyone who collects ‘Hardy’ equipment, whether it be reels, rods or anything else, will tell you that once you think you have it all figured out a new example will appear that contradicts all that you previously believed.



I would add that Hardy have recently re-introduced a new Neroda box to their range. They are produced in two versions, a green and a brown mottled ‘tortoiseshell’ pattern, distinguished from the older ones by a circular gold Hardy logo and lined with foam. This is a different animal to the one discussed above and, whilst it may become collectable in years to come, it is not within the scope of this article


© Brian Taylor, February 2010




Wednesday, 12 November 2014

Richard Wheatley Fly Boxes, Made in UK

Wheatley fly boxes are THE fly box . . . . . . and have been since the company began trading over 150 years ago with their leather “fishing pocket books”; and going on to supply all the great names in fly fishing.


I usually have a few new, and occasional used, boxes for sale on ebay at competetive prices - ebay user ~ enigma309.
If anyone wants to buy direct, I'm happy to do a deal reflecting ebay fees :-)   Contact Me

If there are other Richard Wheatley products you would like, let me know, I'll see what I can do,
There are several great looking products coming soon!

I've recently found a very capable engraver and am happy to offer this additional service, if required; a couple of examples shown below ~



Thursday, 12 June 2014

Paradigm shifts and fishing tackle



In 2006 Daniel Nissanoff predicted the massive rise in online trading . . . and more. In “Futureshop” he described how we were moving from a consumer culture based on legacy values – “these values have taught us to acquire new things and then grow old with them.” (as our ancestors did) to a new lifestyle based on “temporary ownership and marked by the continuous replacement of our personal possessions.”



Whilst Daniel’s book was about the online revolution which was gaining pace in 2006, the ebay story, and how businesses were adapting to accommodate online buying and selling, it was also about the changing attitudes of buyers in a global marketplace (us!)

One example he used was the Bugaboo Stroller (pushchairs in England), “the Porsche of the stroller world”. Previously only bought by the seriously wealthy; [more expensive than a Hardy Perfect!] in the new auction culture buying one made lots of sense. You could enjoy the pleasure, and baby’s comfort, of using it . . . . then auction it online when no longer needed. Also, there were no longer hang-ups about buying such items second hand. Win, win.




It’s been an interesting eight years since Daniel wrote his book. Ebay has almost become what Amazon was; it seems there are more businesses selling on there than individuals. Oddly, Amazon now provides a vehicle for, and encourages, individual sellers.



The online auctions suffered over the intervening years because they weren’t monitoring who or what was sold; and certainly didn’t have the specialist knowledge needed to do this. This saw the fraudsters and dodgy dealers take advantage, and use the medium to rape collectors and serious anglers. This scared many off.



The traditional live auctions fail to cater to the instant gratification required by today’s typical buyer. Who wants to wait six months for the next auction sale knowing that there will only be two winners when the hammer falls; one of those being the auctioneer? An auctioneer once told me that sometimes he had to “bounce the odd one off a wall” if he saw an enthusiastic bidder.




A friend summed it up when he said, “today’s collector is an ordinary Joe with a decent occupation and some disposable income.” He wants to use quality kit, and buy it ‘now’ at a fair price. For it to arrive in a couple of days, knowing it’s correct and has been checked over by someone who has some knowledge of the product . . . and know that a couple of years down the line he can sell it and upgrade to the latest ‘must have’. If he’s chosen wisely, and the market wind is in his favour, he may even sell at a profit; worst-case scenario, a minimal financial loss to balance against the pleasure of use and ownership.



This is the global marketplace we now exist in. Collectors/anglers come from all corners of the globe, some in places where it’s hard to imagine fly-fishing being part of the culture. Yet, the world is becoming a tiny place. We can now be fishing in Mongolia, Patagonia or New Zealand in not much longer than it used to take to travel to the north Scottish rivers.



Just as you can only make one first impression, trust is only broken once. It’s a vital element of our business and we intend to maintain it as we go forward.



It’ll be fascinating to see what the next eight years brings us.









©Brian Taylor 2014

Sunday, 3 November 2013

Hardy Reel Checks.

A question often asked, but not always understood, is what is the difference between the various Hardy reel checks?


Hopefully the photos below will begin to answer the question.
Please note that the displayed checks are the Hardy Perfect version, other models were sometimes slightly different.
All comments and corrections welcomed btw.

Early Check ~ around 1890 t0 1896




 1896 Check ~ 1896 - 1904




1904 (some say 1905) check ~ 1904 - 1911







1912 Check ~ 1911 - 1917





Duplicated Mk1 check ~ 1917 - 1922



Duplicated Mk11 ~ 1922 to 1927 (non-engagable spare)


Duplicated Mk11 ~ 1927 to  . . post WW2


 Compensating Check Mechanism



A variation as used on the LRH etc.

 
Another variation - as used on the Golden Prince among others







And for fun, a few silent options








There are numerous other variations. As time permits, and I get the chance to photograph examples, I will add them here. 

All comments welcomed, and photos of variants too.




Sunday, 29 September 2013

Leaded reels & nonsense.


Leaded reels & nonsense.

Leaded aluminium fly-fishing reels first appeared near the end of the 19th century. The bronzing and leading methods were closely guarded by the different makers, but are all basically similar.

The “bronzing” consists of a number of noxious compounds and strong acids [I won’t reveal the formula because I’d hate to be responsible for the irresponsible] Suffice to say that some are highly toxic and others highly corrosive.
These were applied and removed in accordance with each maker’s procedures ~ this is what creates the lovely bronze/gold tint on some old aluminium reels.

The “leading” was simply the application of a layer of graphite over the bronzing. Some say they used pure carbon, some say they used a proprietary fire-grate paste  . . all I know is that they created the lovely dark grey colour named after darkly oxidised lead.
The leading wasn’t complete until they varnished/lacquered the carbon coating to give that lovely sheen of mint pre WW2 reels.

One of my biggest groans these days is seeing so-called experts, usually on the internet, advocating some wonderful petroleum based oil/wax magic brew for “saving” your old reel.
They have absolutely no idea what the reel lacquer is, or how it will react to petrol based concoctions. I’ve used petroleum spirits to remove varnish in the past . . . ???
As for how it will react with the compounds contained in the bronzing solution . . . .
[The same logic applies to soaking old leaded reels in an acetic acid solution . . . really?]

Just say “No” to exotic chemicals. Soap and water and a soft cloth, occasionally – save the tiny drop of oil for the pawl and the spindle only.

You have to wonder how many reels, which had survived for a century, have been ruined as a result of these clowns' ignorance.

The Lindso Collection ~ by Roar Lindso.



The Lindsø Collection ~ by Roar Lindsø

 

It takes a certain kind of man, with deep pockets, to create the collection of fishing tackle recorded here.
Roar Lindsø is such a man. This book is a record of his personal collection of vintage tackle.
In a very short period of time he has searched out and bought some fine quality reels, including many early vom Hofes and some desirable Hardy Perfects including Brass faced and classic wide drum models.
The book displays most reels in some detail. Here I should state that the quality of both the paper and the photos is excellent and will allow the viewer who is also a collector to study the minor differences which can mean so much in both collecting and monetary terms.

This book is more than just a few photos of vintage fishing tackle. In many cases Roar has tried to track the history of  the reels he has acquired and to give a brief history of the maker. This will help the beginner and refresh the memory of some of us older collectors.

Apart from the above mentioned vom Hofes and Hardys there are chapters on Zwarg, Saracione and Loop with some more fine photos. There’s also a section on early rods which include an Edward vom Hofe seven strip and my favourite, a 9’ 3/2 Gillum Salmon.

Edit, 11th October 2013 - the next edition is now at the printers. It contains additional items including Noel and Saracione sections and some corrections to previous chapters.
The copy has been edited for "English" by a very able young lady so we now have a more readable book.

I wish Roar every success.

[[There are a couple of minor errors which I am sure will be fixed in future editions. In my copy the index states “Bo Mohlin fly reel” on page 138, but it’s actually an early wooden reel. In the Hardy section, echoing Graham Turner’s description, he refers to “early check” for what most of my acquaintances now call the “1896” and save the term “early check” for the variation which preceded the 1896.

The English in the first edition, which I was fortunate to read, left a little to be desired, but still better than my Scandiwegian. I have some good inside information that the second edition will be greatly improved in this respect.]]

Now for the commercial break folks, there will be a new, expanded edition of Mr Lindso's book coming soon. Keep checking back for details.

Wednesday, 11 January 2012

“European Fly Reels, a Guide”

Following on from last years "D is for Dingley" book - published by Dr Todd Larson's Whitefish Press I'm now working on the provisionally entitled “European Fly Reels, a Guide”

The brief was as follows –

“Basic information would include a brief history of the maker, and then three reels per page showing the GENERAL design and style. No need to show every permutation (or reel). Footnote and reference for more reading.”

I anticipate the "brief history" will be around 500 words, dependant upon the maker; and in some cases, where not a lot of information is known, quite a bit less.
This will be followed by a few photos of that makers more collectable reels, with short descriptions.

The idea is to list only makers, not dealers. Covering a period of time from the late 19th century to today. The reason for the start date is that prior to the end of the 19th C there were numerous makers of the ubiquitous brass reel and wooden star back. Whilst this is a specialist market, too much of the information is rather vague.
We are restricting the region to Northern European makers, for this edition, - UK, Scandinavia, Germany, Holland and possibly France. The book will be aimed primarily at the N American market; although I hope interest will be worldwide.

Part of the reason for this blog is to provide a place to send potential contributors to -
  • a, to read about the concept
  • b, to see how I'd like the photographs to look
  • c, solicit information

PHOTOS

Below is the set up I use indoors for reel shots
I use small spots with 'Daylight' bulbs. These are not aimed directly at the subject but bounced off the walls and top of the box. The box is 3 artists white canvases. Background is a piece of white copier paper
Camera on tripod and use self-timer.
Outdoors, similar results can be achieved on a cloudy day.

Subject - Reels
I prefer to see reels about 3/4 view and slight elevation - see below -


These are just as shot, no Photoshopping. With a couple of small tweaks these are fine for publication